gobscure

artistic associates with museum of homelessness and disability arts online (both part of our lived experiences). recent project rose carved in rain included an exhibition with newbridge project gateshead, an album and a performance premiered at leeds playhouse thanks to queer arts north bursary from curious arts ships-of-fool (online) originally commissioned in 2020 for gift: gateshead international festival of theatre, also supported by sage gateshead summer studio residency and two awards from sound&music

https://gobscure.wixsite.com/info

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Arpana Rao

As a young artist from India Arpana Rao’s creative expression speaks of her culture, as she is moved by her surrounding, people and the everyday. Growing up in a rugged rural place of south India and witnessing her parents invest their lives in social work Arpana’s work too has been motivated by a sense of social consciousness and a desire to elevate the everyday. In the past her work has represented the local farming communities as home was surrounded by paddy fields, the overwhelming market places and more recently the everyday cultural object’ tiffin carriers’ a layered metallic food container. Having drawn inspiration from Indian contemporary artist Subodth Gupta and his use of everyday objects and kitchen utensils Arpana takes it further to consider the multiple associations of the tiffin carrier and unpacks its layers of social spaces, food and journey/movement. Integrating art and the everyday processes of life, she continues to question shouldn’t they be one? Having completed a BFA (Bachelors in Fine art) in Pune India, She went on to pursue a masters in fine art at the University of Creative Arts, Canterbury, UK. Finding herself in a new country, a new environment, her cultural background speaks even louder as she shares her culture, creating exchange and dialogue. Not being limited by a single medium of expression, Arpana’s practice is versatile, her work manifesting in the form of paintings, printmaking, drawings, sculpture and installations. Demonstrating an ability to work with a wide range of materials her practice is an open ended process just like a tiffin carrier. Arpana gets her hands messy with paint, ink and food and she loves it. ‘I see and perceive. I comment, and I evolve in a unique space and time. Art is the place that produces a specific sociability’. (Nicolas Bourriaud, Relational Aesthetics).

www.arpanarao-artist.com

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ContributorArpana Rao
Karen Barnes

Multidisciplinary artist based in Lincoln, with a Bachelor of Arts in Sociology 1996-99, University of Sheffield. Karen has been a community and educational arts advocate for 25 years. She has worked in community art settings in rural areas and cities: Sheffield, Leeds, Nottingham & Lincoln. Karen is a qualified academic support worker for SEND/SEMH students in higher and post graduate university education. She was selected to exhibit and teach origami workshops at The International Origami Open 2018, hosted by 20-21 Visual Arts Centre in Lincolnshire. Her practice explores metaphysics, ecology, geometry, Buddhist philosophy, mindfulness, art therapy and includes origami, fine art, collage, poetry, photography, moving image, music, sound art & eco-art.

www.zenpulp.co.uk

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ContributorKaren Barnes
Sam Metz

Sam is a neurodiverse disabled artist and curator influenced by disability led approaches to interpretation, particularly focusing on sensory modalities of understanding neglected in traditional forms of art and museum interpretation, such as touch. They are currently engaged in thinking about depictions of pain and recover and ways of relating embodied sensory practice digitally supported by Artist Network, NODE Curatorial Studies, Future's Venture, Parallel State, Artlink Exchange 62 Disabled Artist for Hull and Pyramid Arts Curatorial Circle.

https://www.sammetz.com/

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ContributorSam Metz
Louise Webb

Webb’s practice currently explores communication, miscommunication, misinterpretation and mistakes through the participation of narrative. Through the use of moving image, Webb has been investigating the intimacy of electronic devices and digital hospitality observing how new social histories and fictional realities are being created through shared technologies. Webb is interested in how these inevitable formats of communication can be used to share collective joy, resistance and hope while being faced with the difficulties of privacy, false news and hidden algorithms. This correlates with her involvement in facilitating workshops inspired by accessible and collective learning. Influenced by work ethics, AI, digital communication, peripherals, language and myth through a multidisciplinary practice.

https://www.louisewebb.com/

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ContributorLouise Webb
Nicola Shipley | GRAIN Projects

Nicola Shipley is co-founder and Director of GRAIN Projects CIC. She is a Producer, Curator, Project Manager, Mentor and Consultant specialising in photography. She trained as an art historian, has an MA in History of Art, and a background in the visual arts, including in commissioning, exhibitions, collections, public art, artists education and professional development. GRAIN is a platform for contemporary photography and a hub and network for practitioners. The programme includes commissioning photography, curating exhibitions, publishing, developing artist’s and photographer’s training, development and networking opportunities and producing events and symposia including the biannual The State of Photography. Nicola is on the board of Photofusion and in 2019 was one of the selectors for the Taylor Wessing Photography Portrait Prize at the National Portrait Gallery.

www.grainphotographyhub.co.uk

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ContributorNicola Shipley
Beth Barlow

Beth Barlow has worked as a socially engaged artist since gaining a 1:1 fine art degree and later an MA. Her MA looked at social interactions within the common room of a local hostel and also online in chat rooms. Here her work manifested as very small interventions and a publication. For two years she abstained from making objects and took all her artwork online and none material based. The germs of her works grow from social ideas and materialise in a whole host of relevant mediums. She has staged 2 large scale project using yarn. "Knit A Year" where people knitted their moods for a year and contributed their strands and stories to group exhibitions and "Like It. Lump It. We Are All Connected". Using yarn allows Beth to engage with those who might not ordinarily align themselves with conceptual art. Through the slow comfortable pastime of knitting or crochet people can explore deep issues in a less confrontational manner. Other large scale projects have culminated in gifting shops where everything was created, given and taken for free and "Starvation Diet" where weight was lost, money saved given to charity and the process documented through spoof artefacts. Beth's current project is looking at Facebook posts and uses painting to explore how people's personal photo posts have altered during 2020. She has also worked with underworked artists to set up remote art classes to help those isolated now and ongoing.

www.bethbarlow.com

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ContributorBeth Barlow
Brave Bold Drama

Brave Bold Drama is an award-winning theatre and community arts company based in Withywood, south Bristol. The company is committed to dismantling any barrier that prevents people from their immediate communities of Hartcliffe and Withywood (some of the most deprived wards of the UK) from accessing the arts, engaging with new cultures and enjoying their own creativity.

www.bravebolddrama.co.uk

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ContributorBrave Bold Drama
Jason Bartholomew Hall

Jason Bartholomew Hall is an artist and activist. His works main themes deal with sexuality, community building and social justice. His aims are to:

*Encourage connections between people.

*Promote physical activity.

*Enable people to reflect on their experiences to appreciate what matters to them.

*Encourages individuals to explore new ways of doing and being and promote reciprocation.

To watch a short video introduction to Jason’s practice, click here.

https://www.jhall.art

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Priya Mistry

Priya Mistry, multidisciplinary artist, socially engaged practitioner and creative producer straddling visual, performance and live art. Mistry’s practice adds to discourse on topics of mental health/neurodiversity, feminist politics, identity, sex and queerness, whilst deconstructing language, exploring sensory/non-word based vocabularies.

Commissions, Residencies and platforms with Theatres, Galleries and Festivals including METAL Culture, Eastside Projects, Terrestrial, Axis, LADA, Hatch, Little Wolf Parade, hÅb, Fierce, Birmingham REP Theatre, Dance 4, IGC Theatres, CCA, Bonnington Gallery, Critical Path, Australia, USF Verftet Norway, Tou Scene Norway, Emotional Bodies/Zona Dance Romania, Intercult Sweden amongst others.

http://whatsthebigmistry.com/

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ContributorPriya Mistry
Zanib Rasool

Zanib Rasool MBE has worked 30 years in the voluntary sector in Rotherham. Zanib is currently undertaking Doctoral in Education at the University of Sheffield. She was a community researcher on the Sheffield University collaborative project, 'The social, historical, cultural and democratic context of civic engagement: Imagining different communities and making them happen,' funded by ESR/AHRC Connected Communities programme. She is also co-editor of Re-Imagining Contested Communities (Connecting Rotherham through research) book to be published in 2017. She was a researcher on the ‘Threads of time’, a co-produced participatory arts project funded by AHRC’s Connected Communities Festival 2016, AHRC funded project called ‘Taking Yourselves Seriously: artistic approaches to social cohesion’ and exploring ways in which artistic methodologies can support community-led research with a focus on the life trajectories of women from Pakistani heritage backgrounds. Zanib has co-authored Re-imagining Contested Communities: Connecting Rotherham through research book that bring together academic and community voices. She has written for academic journals and contributed to book chapters

Zanib is a poet. A selection of her poems can be found on Artsteps website:

https://www.artsteps.com/view/5f156fa87383810c145ead07

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ContributorZanib Rasool
Andy Abbot

Andy Abbott is an artist, writer, curator and arts organiser who lives in West Yorkshire. He has exhibited and performed internationally as an individual artist and in various collaborations including the art collective Black Dogs. His most recent work explores the role of digital and virtual experiences in social practice, including verbatim video-games exploring the Future of Work in postindustrial UK towns.

http://andyabbott.co.uk/

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ContributorAndy Abbot
Adrian Barron & Shelagh McCarthy

Adrian Barron is an artist and printmaker.

Shelagh McCarthy is a printmaker, bookbinder and freelance Creative-educator.

She gained her bookbinding diploma at Brighton Polytechnic under Faith Shannon and Jenni Grey. She gained her degree in Fine art and printmaking at Byam Shaw, now part of CSM.

In addition to her own work as an artist, she runs workshops at a variety of venues. Workshops are planned to meet need and are accessible and welcoming.

“Whether you use expensive tools and materials, or the means at hand, my aim is to provide the skills needed for you to delight in the personal satisfaction of making something beautiful and functional from scratch, by hand, and of knowing why and how it works.”

https://www.shelaghmccarthy.com/

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Sharon Gill

Sharon's fascination with textiles and fibre is currently about enjoying an explosion of colour and pattern through traditional quilting techniques. Having recently worked on a heritage project, looking into the past and how we represent today for the future, she has come to consider a quilt as contemporary archiving. The therapeutic nature of the activity, of most stitching and other textile construction techniques, only reinforces her belief in the ability of the arts to generate well-being.

www.sharon-gill.com

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ContributorSharon Gill
Amelia Baron

Amelia Baron (23/10/1995), is originally from Blackburn, Lancashire, and now resides in Leeds after graduating from Leeds Arts University in 2018. During her adolescence, Amelia spent lengthy stays in hospital due to ill mental health. By applying her interest in art and poetry, Amelia utilised these passions as a cathartic tool for recovery and a means of communication with family and friends. Amelia’s practice combines endurance performance, sculpture and spoken word in an attempt to visualise the chaos of the mind and to open up a discourse surrounding mental health in contemporary society. Often using delicate materials and repetitive motions, Amelia’s work can take a metaphorical stance on the fragility and vulnerability of mental wellbeing. A prize winner at the Aon Community Art Awards 2019, she hopes to continue supporting her contemporaries and engaging with the community through means of installation and performance.

ameliabaron.co.uk

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ContributorAmelia Baron
Yifan He

Yifan's practice comprises coding, object-making, editing, and performing. There is a disquieting aesthetic inherent in her works, fuelled by the gestural displacements of mundane objects (electronics) and poeticised actualisations of everyday rituals. She recasts, rearranges, and reconfigures materials such as electrical appliances, discarded pieces of furniture, and family event recordings, into clusters of cause and effect circuits. Spectators may find electric cords dangling, video projections overlapping, computer- programmed models flowing chaotically on the screen, dodging the cursor, performance scripts laying on a dinner table, and poems self-generating and overlapping into an unreadable blur. Her installations, at their grandest, are forced material poetry of which the meaning can never bypass the formality.

https://he-yifan.com/index.html

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ContributorYifan He
Alana Jelinek

Alana Jelinek is an artist and theorist about the definition, role and value of art in society. Her PhD, across fine art and history of art, was in 'Art as a Democratic Act: the interplay of content and context in contemporary art', which drew on Tate Modern's first 6 years to explore the negative impact of neoliberal government policies on artistic and curatorial practice and values. Her antithesis became 'This is Not Art: Activism and Other Not Art' (I.B. Tauris 2013), which was followed by 'Between Discipline and a Hard Place: The Value of Contemporary Art' (Bloomsbury 2020). She continues to make art that is sometimes socially engaged and participatory, sometimes sole-authored.

www.alanajelinek.com

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ContributorAlana Jelinek
Bettina Nissen

Dr Bettina Nissen is a Lecturer in Interaction Design and researcher in Design Informatics at the University of Edinburgh. With a background in product and interaction design, digital fabrication and data physicalisation, her practice-based research focuses on engaging audiences with complex technological concepts and data through tangible means and makings. Bettina completed her AHRC-funded PhD in Human Computer Interaction at Newcastle University in 2018 and has recently worked on a series of RCUK-funded research projects spanning topics of trust and consent in pervasive environments (part of EPSRC-funded PACTMAN) and the future of value(s) (part of ESRC-funded collaboration After Money with the Royal Bank of Scotland and New Economics Foundation). Bettina is currently working with the People’s Bank of Govanhill and artist Ailie Rutherford in Glasgow to explore feminist economic perspectives of cryptocurrencies through craft and knitting.

https://www.designinformatics.org/person/bettina-nissen/

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Janie Nicoll

“Nicoll’s work is involved in the process of translation and conversion – of scale and of materials – to make new stories from old. Her work involves small acts of scrutiny and transformation that uncover beauty, banality and anxiety in the overlooked details of the everyday. Small things, maybe, but not insignificant“ — Moira Jeffrey.

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Ailie Rutherford

Ailie Rutherford is a visual artist working at the intersection of community activism and creative practice. Her collaborative artworks bring people together in conversations about our social and economic landscape using print, performance, sci-fi visioning, games and technology as playful means to work through difficult questions and radically re-think our shared futures. Resulting works range from proposed new models for living and working together to the building of new infrastructure.

Recent projects include:

The People’s Bank of Govanhill a long term social art project in Govanhill (Glasgow) realising feminist economic theory in a community context. String Figures collaborative software for collective working centred on a principle of mutual care and co-operation, titled after techno-feminist Donna Haraway’s metaphor for the inextricable threads that connect us all.

Her feminist economic artworks have been shown at Unbox festival, (Bengaluru, India) MoneyLab at Institute of Network Cultures (Amsterdam, Netherlands), Supermarkt (Berlin, Germany) and for Tracing The Tracks//Work Affair at Rum 46 (Aarhus, Denmark). Ailie is currently working as curator for NEoN digital arts Wired Women festival

https://ailierutherford.com

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