Anne Douglas’ review offers a “poetics” of participation in contemporary arts”, locating the turn to participation in contemporary arts within a wider history of 20th and 21st century arts and politics.
Read MoreAn account of the theory, history and practice of community art in Europe that combines decades of first-hand experience with new research, and many project descriptions.
Read MoreThis paper briefly explores the problematic notion of the “artist as a social worker” and aims to develop an (ethical) counterpoint to this position via Mouffe’s concept of agonism.
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